







A different kind of fictional world can be observed in Anna Gaskell's work. Her series of photographic episodes (Wonder and Override) are based on a loose re-interpretation of Lewis Carroll's Alice in Wonderland. Gaskell treats her medium as a kind of stage set onto which she projects her child-centered concerns and enigmatic dramatic action...Gaskell's work does not posses specific narrative but rests rather on a series of suggestive 'actions'. In fact her whole oeuvre is based on implication rather than description; it is this ambiguity hovering as it does between what is imagined and what one sees between reality and fiction that reinforces the sense of malaise and intrigue for the viewer.
Katerina Gregos |